{"title":"CD","description":null,"products":[{"product_id":"signs-of-the-swarm-amongst-the-low-empty-cd","title":"SIGNS OF THE SWARM - Amongst The Low \u0026 Empty - CD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003cstrong\u003eGENRE:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMetal\u003c\/p\u003e\n\u003cp\u003eOn ‘\u003cem\u003eAmongst the Low \u0026amp; Empty\u003c\/em\u003e,’ SIGNS OF THE SWARM’s ferocious deathcore is injected with some serious groove and industrial pulses, inviting comparisons to Meshuggah, Deftones and Fear Factory. It takes the Pittsburgh, Pennsylvania pugilists to a new level of bleakness—the soundtrack to a not-so distant dystopian future while theirs is burning brighter than ever. The fire was ignited via co-producer and mixer Josh Schroeder (Lorna Shore, King 810, Tallah) and pressure cooked over a month in-studio crafting it from the ground up with drummer Bobby Crow laying the foundation upon which all was built. ‘\u003cem\u003eAmongst the Low \u0026amp;\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eEmpty’ starts on a bulldozing note—no meandering intro—with a title track so heavy that a late-song burst of double bass made the band’s manager literally laugh out loud at its excess. From there, it refuses to let up through of \"Tower of Torsos\", “DREAMKILLER” or \"The Witch Beckons\", which features Trivium's Matt Heafy alongside vocalist David Simonich’s raw animalistic growl.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRelentless touring with the likes of Lorna Shore, Whitechapel, Fit for an Autopsy, Born of Osiris, Archspire and MANY more allowed Signs of the Swarm to hone their craft, but on ‘\u003cem\u003eAmongst the Low \u0026amp; Empty\u003c\/em\u003e,’ they’ve truly mastered it and are ready to break out in the world of extreme metal.\u003c\/p\u003e\n\u003cp\u003eSimply put, this is the sound of art pushed to the extreme.\u003c\/p\u003e\n\u003cp\u003e‘\u003cem\u003eAmongst the Low \u0026amp; Empty\u003c\/em\u003e’ is available as CD, LP, and Digital Album.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Amongst the Low \u0026amp; Empty\u003cbr\u003e2. Tower of Torsos\u003cbr\u003e3. 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Stage right was Derek Sherinian, lost in soulful concentration as he performed his beguiling keyboard parts with elegant aplomb. Occupying stage left, almost lost behind his kit, was renowned drummer Simon Phillips, his mesmerising, flailing sticks occasionally visible between cymbals and toms.  This impeccable partnership was aided by the crafted bass of Ric Fierabracci, with the relentless, playful double-necked guitar of Ron ‘Bumblefoot’ Thal adding a further melodic veneer. Performing in front of 500 appreciative fans, the uninitiated walking past the venue would be unaware that this was a live, musical union that had been two decades in the making.\u003c\/p\u003e\n\u003cp\u003eSherinian had cemented his reputation by appearing with such acts as Kiss and Alice Cooper, as well as a tenure in progressive metal giants Dream Theater. 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Thus, Arjen decided to release a second version of the songs with the guide vocals on them as CD2. At some point he started spontaneously inviting other singers to sing some of these tracks, because he was curious how the songs would sound with their voices. Ultimately CD2 ended up with no less than 9 different singers, all equally as good as the ones on CD1. A total of about 30 different musicians contributed to the new album, not all of them being singers though. The core of STAR ONE remains Ed Warby’s powerful drums as well as Arjen’s guitar and bass work that hold it all together and give it that typical STAR ONE sound. The icing on the cake is the front cover art that was created by Arjen’s trusted favorite artist Jef Bertels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eCD\u003c\/strong\u003e\u003cbr\u003e1. Fate of Man\u003cbr\u003e2. 28 Days (Till the End of Time)\u003cbr\u003e3. Prescient\u003cbr\u003e4. Back from the Past\u003cbr\u003e5. Revel in Time\u003cbr\u003e6. The Year of ‘41\u003cbr\u003e7. Bridge of Life\u003cbr\u003e8. Today is Yesterday\u003cbr\u003e9. A Hand on the Clock\u003cbr\u003e10. Beyond the Edge of it All\u003cbr\u003e11. Lost Children of the Universe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e1. Fate of Man (alternate version)\u003cbr\u003e2. 28 Days (Till the End of Time) (alternate version)\u003cbr\u003e3. Prescient (alternate version)\u003cbr\u003e4. Back from the Past (alternate version)\u003cbr\u003e5. Revel in Time (alternate version)\u003cbr\u003e6. The Year of ’41 (alternate version)\u003cbr\u003e7. Bridge of Life (alternate version)\u003cbr\u003e8. Today is Yesterday (alternate version)\u003cbr\u003e9. A Hand on the Clock (alternate version)\u003cbr\u003e10. Beyond the Edge of it All (alternate version)\u003cbr\u003e11. 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For the cover of the new album Banco are using the iconic ‘Salvadanaio’ (Italian for ‘piggy bank’), that became the band’s unique logo and brand. ‘Orlando: Le Forme dell’Amore’ is set to be released on September 23rd  2022 via InsideOutMusic. 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With musical roots still firmly in the progressive realm, Charlie draws from his love of old-school 80s thrash, 90s tech-metal and alternative rock. Running the gamut from melodic to avant-garde to straight-up heavy, you might say Tiktaalika bridges the gap between King Crimson and King Diamond!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis concept album was 375 million years in the making, with the 9 tracks drawing inspiration from themes of geological time, fossilisation, transformation and humanity’s connections with each other and the planet we inhabit. The Griffiths-penned lyrics are given voice by some of the best vocalists in the business: Tommy Rogers (Between the Buried And Me), Danïel De Jongh (Textures), Vladimir Lali? (Organised Chaos) and Neil Purdy (Luna’s Call). The album also features a host of guest musicians: Drummer Darby Todd (Martin Barre, Frost, Devin Townsend), Keyboard wizard Jordan Rudess (Dream Theater) and Saxophonist Rob Townsend (Steve Hackett). The album was mixed by Adam ‘Nolly’ Getgood and mastered by Ermin Hamidovic. 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The group has signed to InsideOutMusic for the release of their debut album ‘Troika’ in early 2022. Recorded during lockdown, the process began with Neal Morse writing some acoustic songs that he thought would be enhanced by strong vocal harmonies. He already knew how well his voice blended with former Spock's Beard bandmate and Big Big Train drummer\/ vocalist, Nick D'Virgilio who came on board and, considering a third man, the Americans sought out Haken's Ross Jennings from the UK to complete the trio. All three found they had songs that would benefit from the three-part harmonic blend, and so they pooled their resources, input-ting creatively into each other's compositions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLP 1\u003c\/strong\u003e\u003cbr\u003eSide A\u003cbr\u003e1. Everything I Am\u003cbr\u003e2. Julia\u003cbr\u003e3. You Set My Soul On Fire\u003cbr\u003e4. 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Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level,and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. Its about strength, love, acceptance, fear, and overcoming together. 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A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. Its about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg). Available as Ltd Deluxe Orange 3LP+2CD+Blu-ray, Ltd Deluxe 2CD+Blu-ray Artbook \u0026amp; Ltd 2CD Digipak – all including the companion album ‘Nightwork’. 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